Monday, February 28, 2011

Musical Monday (66): "Ten Cent Blues" and "The Valley" by Eisley

Every Monday I post whatever song I can't get out of my head or just can't get enough of, because Mondays are often less than marvelous and music is happy--even when it's sad. If you'd like to join the party make your own Musical Monday post and leave a comment!

This week's songs are "Ten Cent Blues" and an acoustic version of "The Valley" by Eisley because 1. "Ten Cent Blues" is one of my favorite songs ever, and 2. Eisley has a new album coming out tomorrow. "The Valley" is a song from a previous EP that is on the new album.

Enjoy!





Wishing you a Marvelous Monday that is less busy than mine (I mean to return the favor of comments. Honest, I do...),Blog Signature

Monday, February 21, 2011

Book Review: The Radleys by Matt Haig

Release Date: December 2010
Publisher: Free Press
Age Group: Adult/YA crossover appeal
Pages: 384

Source: My local library.
Summary:
Just about everyone knows a family like the Radleys. Many of us grew up next door to one. They are a modern family, averagely content, averagely dysfunctional, living in a staid and quiet suburban English town. Peter is an overworked doctor whose wife, Helen, has become increasingly remote and uncommunicative. Rowan, their teenage son, is being bullied at school, and their anemic daughter, Clara, has recently become a vegan. They are typical, that is, save for one devastating exception: Peter and Helen are vampires and have—for seventeen years—been abstaining by choice from a life of chasing blood in the hope that their children could live normal lives.


One night, Clara finds herself driven to commit a shocking—and disturbingly satisfying—act of violence, and her parents are forced to explain their history of shadows and lies. A police investigation is launched that uncovers a richness of vampire history heretofore unknown to the general public. And when the malevolent and alluring Uncle Will, a practicing vampire, arrives to throw the police off Clara's trail, he winds up throwing the whole house into temptation and turmoil and unleashing a host of dark secrets that threaten the Radleys' marriage.

The Radleys is a moving, thrilling, and radiant domestic novel that explores with daring the lengths a parent will go to protect a child, what it costs you to deny your identity, the undeniable appeal of sin, and the everlasting, iridescent bonds of family love. Read it and ask what we grow into when we grow up, and what we gain—and lose—when we deny our appetites. (From Simon & Schuster)
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The Radleys is addictive, funny, and beautifully written. And if you can't already tell, I really really liked it.

While the title characters of the novel, the Radleys, are a family of vampires, their story is less about blood lust than truth, temptation, and family. Author Matt Haig uses vampirism to explore secrets, lies that adults tell children to protect them, and temptations like adultery. Peter and Helen Radley are Abstainers who haven't given into temptation in years. And until an unfortunate incident involving an accidental death in a field, their children, Clara and Rowan, aren't even aware of their peculiar family secret.

Clara and Rowan are understandably upset to find that their parents lied to them. Complete abstinence from both human and vampire blood--Haig's version of the myth allows vamps to drink either one--comes with a price: the Radleys all have to wear SPF 60 sunscreen and they get rashes from the sun. They have difficulties sleeping instead of roaming at night and they always have headaches and feel slightly sick. The one thing that would make them feel better is something that they cannot, in good conscience, take. Instead, Peter and Helen told their kids they had photodermatitis and watched as Clara and Rown went through life as the awkward, sickly kids at school. Now, as teenagers, Clara loves animals but is unable to get close to them because they're scared of her and Rowan is in love with the new girl in school but can't find the confidence to tell her.

Add in a violent and unpredictable uncle, a monumental family secret, and a very tangled web of past actions and you get a thrilling tale packed with dramatic irony. For all the thrills, though, much of The Radleys feels normal. It's a story about a family. Given that the novel is shelved in the adult section, there are swear words, suggestive scenes, and violence, but there isn't anything that outpaces what can be found in young adult novels. The Radleys crosses age boundaries well.

I loved this book and when I brought it back to the library I wanted to wave it in the air and tell everyone I saw to put it on hold right away. I recommend it to anyone who likes solid writing, family dramas, vampire or paranormal novels, and love stories.
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Musical Monday (65): "Violet" by Thao with the Get Down Stay Down

Every Monday I post whatever song I can't get out of my head or just can't get enough of, because Mondays are often less than marvelous and music is happy--even when it's sad. If you'd like to join the party make your own Musical Monday post and leave a comment!

This week's song is "Violet" by Thao with the Get Down Stay Down. It came up on my Pandora radio station and has been stuck in my head for two weeks. The guitar-playing is playful and I love the simple and catchy chorus: "Oh Violet, Violet don't you go/ Violet, Violet don't you go...."
 


Wishing you a Marvelous Monday,
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Monday, February 14, 2011

Versailles + the Wonders of Google Art Project: Paris Part Cinq

One of the last things I did near Paris was visit Versailles, which I recommend doing at least once if you happen to be in France because it is PRETTY:

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The Hall of Mirrors

One could say it's almost too pretty, though. There was so much silk and gilding and decoration of all sorts that I felt like I was attempting to appreciate a too-sugary dessert. I may have said that about the Opera, too.

But you don't have to take my word or my pictures for it. Art Project, powered by Google, is a fantastic new website that allows people to explore museums around the world. One of the available museums is the Palace of Versailles. Go visit Google Art Project and make your own virtual way through its decadent rooms. Visit the Hall of Mirrors and stop in Marie Antoinette's bedroom. Stop in Louis XVI's, too. They both have feathers on top of their beds. I found them humorous in person.

I also found some of the greenery in the garden funny:
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Humorous Topiaries.
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A nude statue holding her hand out and pleading for some clothes.

Versailles is beautiful, ridiculous, and interesting. I had a couple Art History geek moments; there's a bust of Louis XIV by Bernini and a portrait of Marie Antoinette by Vigee-Lebrun, a female painter. You'll see them if you take the Google tour. I also wondered how the people who lived and worked in the palace in the eighteenth century thought of all the decorations as I explored the palace. I wondered what it was like to be in the palace when the French Revolution was beginning, specifically when a bunch of peasant women marched on Versailles and made the royal family move to Paris. If you're unfamiliar with that story, John Green made a very informative series of videos on the French Revolution, starting with this one:



And if Google Art Project doesn't satisfy your desire to explore Versailles from afar I recommend watching the movie Marie Antoinette. Much of it was filmed in Versailles. I watched it a couple years ago and I watched it again when I came back so I could have fun recognizing all the rooms.




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Staci, Becca, Me, and Jaimie in front of Versailles. Check out how shiny the palace is--the gates and roof are gilded with real gold.

And since you asked, Myrna, my camera is a Samsung SL620. It's small, red, and does most things that I want it to except take non-blurry indoor pictures sans flash. But I suppose that's asking for the moon anyway. I bought it in the summer of 2009 in preparation for my January 2010 trip to Italy because I broke my old Canon Powershot doing this project for Intro to Design during my first semester of college:

(You have to pretend those bits of carpet around the piece aren't there...)

I was attempting to take a picture of the circular opening of a traffic cone when I dropped my camera onto a sidewalk. It still takes pictures but the lens protector won't close and I have to be super careful with it to keep the lens safe. I didn't want to be super careful when taking pictures in Italy so I bought a new camera.

Up next in this travel series is the Musee D'Orsay and a night to train to Barcelona!

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Heart-Shaped Cakes in Stop Motion: a Youtube Valentine



Via Cakespy.

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Musical Monday (64): "You're My Favorite" by Joy Williams

Every Monday I post whatever song I can't get out of my head or just can't get enough of, because Mondays are often less than marvelous and music is happy--even when it's sad. If you'd like to join the party make your own Musical Monday post and leave a comment!

This week's song is "You're My Favorite" by Joy Williams. It's fun, catchy, and--most importantly on Valentine's Day--cute.



Wishing you a Marvelous Monday and a Happy Valentine's Day,

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Monday, February 7, 2011

Musical Monday (63): "Barton Hollow" by The Civil Wars

Every Monday I post whatever song I can't get out of my head or just can't get enough of, because Mondays are often less than marvelous and music is happy--even when it's sad. If you'd like to join the party make your own Musical Monday post and leave a comment!

This week's song is "Barton Hollow" by The Civil Wars. Their first album, Barton Hollow, was released last Tuesday and I like it. A lot. The Civil Wars is a duo composed of Joy Williams and John Paul White. I've been listening to Joy Williams since I was in middle school and I started listening to The Civil Wars a couple years ago. (They were featured on Musical Monday (3) . . . which is sixty Musical Mondays ago. Whoa.) As much as I like The Civil Wars, though, "Barton Hollow" was an acquired taste for me. I didn't like this song the first time I heard it but it grew on me.

What do you think?



Wishing you a Magazine-worthy Monday,

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PS: If you go the Civil Wars's website you can download "Barton Hollow" as well as a live album (which is very good, btw) for free. Just so you know.

Wednesday, February 2, 2011

Cimetière du Père-Lachaise: Paris Part Quatre

I spent a cloudy afternoon at Cimetière du Père-Lachaise, a cemetery readers may recognize from Stephanie Perkins's Anna and the French Kiss or Vanina Marsot's Foreign Tongue. (If you sense a theme of me visiting places from these books. . . well, you're not wrong.)

The first thing you should know about Père-Lachaise is that it is HUGE:

This is a picture of me peering around a mausoleum near a path that goes on for a very long time.

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Père-Lachaise features a circle with benches . . . and a speed limit sign. Graves rise up on a hill.

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I felt like I was in a tiny town.

Here is a sad statue. (Although when my mother saw the picture she suggested that statue-woman simply had a headache.)

And while I'm on the subject of sadness, it's difficult to imagine coming to this place to mourn. As I wandered the cemetery with my friend, Becca, a chill breeze played with our hair and we heard ravens cawing. (If not ravens, then crows. All I know is that large black birds were making loud noises.)

We felt like we were exploring an elaborate horror movie set.

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Crunchy fall leaves still littered the ground. It could've been October.

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And I did not find this reassuring.

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But at least this necropolis has division signs that look like street signs.

The signs didn't stop us from getting lost, though. Père-Lachaise is an astounding, wonderful (and free) place to visit but I recommend bringing a map of the cemetery or paying closer attention to the map at the front. I glanced at where Oscar Wilde's grave was and thought I could just angle in that direction. False. The graves are jumbled together in irregular lines and--as previously noted--it's a huge, huge cemetery. Becca and I didn't find a famous person's grave; we were happy enough just to find our way out.

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Tuesday, February 1, 2011

I Found Creepy Uncle: Paris Part Trois

If you didn't know, there's a bookstore near Notre Dame called Shakespeare And Company. Readers may recognize it from Stephanie Perkins's Anna and the French Kiss or Vanina Marsot's Foreign Tongue.

Graphic Design Prof and Painting Prof enjoying the little table in front of the store.

If you like books (and if you're reading a blog called Bookduck I think it's safe to assume you do), you should go there because the inside is a bibliophile's dream:

BOOK HEAVEN.

Ahem.

Signs asking visitors not to take new books to the upstairs library.

Me pretending to read (thoughtfully) in the upstairs library.


I could have spent all day in Shakespeare and Co. I didn't buy any books there (which I regret) but I did buy some French-language children's books at another store. One of them, Il Etait Une Fois. . . (or Once Upon a Time) by Benjamin Lacombe is a gorgeous pop-up book that needs no translation:



Beautiful, n'est pas?
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The Louvre is pretty, too. It's the world's biggest art-history-geek playground. See the painting below? We turned a corner and stopped dead in our tracks because we knew it was a painting from the earlier part of the Italian Renaissance by Cimabue, a Florentine painter.

Staci, Me, and Becca in front of Cimabue's The Madonna and Child in Majesty Surrounded by Angels.

Our faces when we found it. (Jaimie, our media major friend, is not sharing in the Cimabue excitement.)

Delacroix's Liberty Leading the People. We couldn't get closer because of the crowd surrounding the artist copying the painting.

La Jeune Martyr or The Young Martyr by Paul Delaroche (Image from the Louvre's official website.) This painting was new to me. It's hauntingly beautiful in person.

This appears to be an installation piece around the medieval walls of the Louvre that are now enclosed in the museum's lower level.

And (last but certainly  not least) I found Creepy Uncle!!!

Readers of Stephanie Perkins's blog will remember him from last January's Hot Boys of the Louvre contest. He's not too shabby in person--just a little, um, menacing. And pale, very pale. I was probably near the Mr. Darcy painting but I didn't see it and didn't have time to go looking. I guess this means I just have to go back to Paris?

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Book Review: Foreign Tongue by Vanina Marsot

Release Date: April 2009
Publisher: Harper Paperbacks
Age Group: Adult
Pages: 384

Source: My local library.

Summary:
Paris, the storybook capital of romance—of strolls down cobblestone streets and kisses by the Seine—may not be the ideal location to mend a wounded heart. But pragmatic professional writer Anna, who has been unlucky in love in L.A., has come here with keys to her aunt's empty apartment. Bilingual and blessed with dual citizenship, she seeks solace in the delectable pastries, in the company of old friends, and in her exciting new job: translating a mysterious, erotic French novel by an anonymous author.

Intrigued by the story, and drawn in by the mystery behind the book, Anna soon finds herself among the city's literati—and in the arms of an alluring Parisian—as she resolves to explore who she is . . . in both cultures. (From Harper Collins)
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Vanina Marsot’s novel Foreign Tongue: a Novel of Life and Love in Paris tells the story of Anna, a half-French and half-American freelance writer. Anna believes she’s found The One when she meets Timothy, but in less than six months she discovers that Timothy is involved with other women. Anna walks away from the relationship. Unfortunately, Timothy is difficult to get over because, in Anna’s words, “Timothy became famous. Magazine-cover famous. Pop-culture famous." So Anna flees L.A. for Paris. Luckily—miraculously, really—Anna speaks French and has an aunt willing to lend her an apartment in Paris, rent-free.

Anna explores Paris for awhile and reconnects with her European friends but eventually needs something to do. She is also fired from her freelance job at an American PR firm after a change in management, and she needs money. Anna is browsing through the used books at Shakespeare & Company when she notices a job posting for a translator for an exotic novel at Editions Laveau. Anna hurries to Editions Laveau. Monsieur Laveau is a crotchety old man, and he is quietly amused that Anna misread the job posting: Laveau is looking for someone to translate an erotic novel, not an exotic one. Anna takes the job anyway. Later, while waiting for another chapter to translate at Laveau’s office, Anna meets Olivier. Olivier is a handsome Frenchman. He’s also an actor, just like Timothy. Anna starts a relationship with Olivier but cultural differences complicate their relationship.

I enjoyed this book. The plot moves quickly; Anna is in Paris by page seven. The novel Anna translates also acts as a story within a story. The novel, by an anonymous author, tells the story of one Frenchman’s “great love." Jean-Marc, the first-person narrator, is initially repelling. He keeps two girlfriends, one boring and public and one fiery and secret. The secret one, Eve, is his "great love." Their relationship begins as a sexual one and the love scenes are (uncomfortably) anatomically accurate and odd.

(A little warning, reader-to-reader: this novel is labeled adult fiction for a reason.)

Anna’s world is a little steamy, too: a friend takes her to a Parisian sex club and Anna and Olivier share several intimate scenes. Jean-Marc’s story becomes more readable, however, as he falls in love with Eve and becomes heartbroken when she leaves him, while Anna’s relationship with Olivier mirrors one of the cultural differences remarked on by Anna when she sees a couple kiss in a café. Anna explains that the French “kiss in public, and I mean big, wet, sexy kisses. People of all ages do it, and no one yells ‘Get a room!’ If you don’t like it, you can lump it, or look the other way."

I read Foreign Tongue before visiting France this January, and I noticed this profusion of PDA in Paris.
 
Beyond the plot and cultural dimensions of Foreign Tongue, the novel is largely about language. Marsot discusses the craft of storytelling through Anna from page one, beginning, “I could start like this, third-person omniscient: ‘She chucked it all and moved to Paris.’ . . . . Or no dodge-and-weave, no embroidery, no third-person, no all-knowing voice: I left.” Marsot also peppers her prose with French conversations, and she does not always provide a translation. One does not need much French to follow the story but knowing none would have frustrated me. I would have been on Google Translate at every other page.

 Foreign Tongue is steeped in French language, culture, and Parisian scenery. I recommend it to readers looking for a fun yet realistic romance as well as anyone who is interested in linguistics, writing, travel, and--of course--Paris.

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