Showing posts with label travel fiction. Show all posts
Showing posts with label travel fiction. Show all posts

Thursday, June 2, 2011

Book Review: A Discovery of Witches by Deborah Harkness

Release Date: February 8, 2011
Publisher: Viking

Age Group: Adult
Pages: 592

Source: My local library.

Summary:
When historian Diana Bishop opens a bewitched alchemical manuscript in Oxford’s Bodleian Library it represents an unwelcome intrusion of magic into her carefully ordinary life. Though descended from a long line of witches, she is determined to remain untouched by her family’s legacy. She banishes the manuscript to the stacks, but Diana finds it impossible to hold the world of magic at bay any longer.


For witches are not the only otherworldly creatures living alongside humans. There are also creative, destructive daemons and long-lived vampires who become interested in the witch’s discovery. They believe that the manuscript contains important clues about the past and the future, and want to know how Diana Bishop has been able to get her hands on the elusive volume.

Chief among the creatures who gather around Diana is vampire Matthew Clairmont, a geneticist with a passion for Darwin. Together, Diana and Matthew embark on a journey to understand the manuscript’s secrets. But the relationship that develops between the ages-old vampire and the spellbound witch threatens to unravel the fragile peace that has long existed between creatures and humans—and will certainly transform Diana’s world as well. (From deborahharkness.com)
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A Discovery of Witches had me from the first chapter. The story begins in Oxford, where Diana Bishop, a historian specializing in alchemy, is doing research in the Bodleian Library. Much geeky fun is to be had in author Deborah Harkness's descriptions of the library and the old manuscripts Diana methodically explores. Harkness, like her protagonist--Diana--is a historian; thus, her descriptions of Diana's scholarly practices are probably accurate, and I enjoyed reading about Diana's research.

Diana is the last of the Bishops, a family of powerful witches. For the most part, she neglects her magic. So when one of the manuscripts she requests appears to be enchanted, she examines it as she would examine any normal manuscript, and she sends it back to the stacks. Later, when she wants to glance in a periodical at the top of a tall shelf, however, she decides to use her magic instead of wasting time getting help. A vampire sees her grab the book, and she is forced into meeting him. The vampire's name is Matthew Clairmont, a geneticist, and he is interested in the enchanted manuscript she examined earlier.

In Harkness's world, there are two types of beings: creatures and humans, and there are three types of creatures: witches, vampires, and daemons (freakishly creative and/or intelligent types). All three groups of creatures are interested in this mysterious book, but no one--until Diana--has been able to call it from the stacks of the Bodleian since the 1800s. Before the reader knows it, creatures are stalking Diana, and Matthew steps in as her protector. Also--of course--they begin to fall in love.

From here, Harkness crafts a tale full of mystery, magic, and plenty of historical tidbits. Unfortunately, the plot runs out of steam in the middle of the novel. Also, A Discovery of Witches begins to read like Twilight, but with an adult witch as the leading lady instead of a teenager. Matthew Clairmont is a typically manly and overprotective vampire. While Matthew is getting to know Diana, one of his friends points out that it sounds like he is hunting Diana, and Matthew replies, "'I know. I climbed into her window when she was sleeping. I follow her when she's running. She resists my attempts to help her, and the more she does, the hungrier I feel.'" Sound familiar? Not to mention creepy?

Diana is a strong, intelligent woman with the potential to be a very powerful witch, and I still can't figure out why she goes along with Matthew's overbearing behavior without complaining in any truly forceful terms until page 284, where she says, "'Stop telling me what to do, Matthew. My ideas about vampires may be romantic, but your attitudes toward women need a major overhaul.'"*

Amen, sister.

I may not be able to stand Matthew and Diana's romance, but I appreciate them both as characters. My favorite characters, though, are the secondary ones. Harkness creates a large-ish cast of endearing characters, including Matthew's mysterious family and Diana's two aunts in upstate New York. The settings of the novel--Oxford, France, and New York--are also fun and make for enjoyable armchair travel.

And while I found it difficult to push through the middle of A Discovery of Witches, the end (while not nearly as enthralling as the beginning) is satisfying enough. Discovery of Witches is the first in the All Souls trilogy, and next novel is due out in 2012.  I recommend A Discovery of Witches to readers of paranormal romance, historical fiction, travel stories, and mysteries with a supernatural twist. This is a novel that may also have some crossover appeal with teens. A Discovery of Witches contains the kind of characters that take up residence in a person's head and play with one's imagination all day, and I am eager to see where Harkness takes them next.
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*More importantly, I don't understand why the author, an academic and therefore an intelligent woman herself, would create such a fictional relationship. I am interested to see how the tension between Diana's own power and Matthew's overprotective instincts plays out.

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Tuesday, February 1, 2011

Book Review: Foreign Tongue by Vanina Marsot

Release Date: April 2009
Publisher: Harper Paperbacks
Age Group: Adult
Pages: 384

Source: My local library.

Summary:
Paris, the storybook capital of romance—of strolls down cobblestone streets and kisses by the Seine—may not be the ideal location to mend a wounded heart. But pragmatic professional writer Anna, who has been unlucky in love in L.A., has come here with keys to her aunt's empty apartment. Bilingual and blessed with dual citizenship, she seeks solace in the delectable pastries, in the company of old friends, and in her exciting new job: translating a mysterious, erotic French novel by an anonymous author.

Intrigued by the story, and drawn in by the mystery behind the book, Anna soon finds herself among the city's literati—and in the arms of an alluring Parisian—as she resolves to explore who she is . . . in both cultures. (From Harper Collins)
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Vanina Marsot’s novel Foreign Tongue: a Novel of Life and Love in Paris tells the story of Anna, a half-French and half-American freelance writer. Anna believes she’s found The One when she meets Timothy, but in less than six months she discovers that Timothy is involved with other women. Anna walks away from the relationship. Unfortunately, Timothy is difficult to get over because, in Anna’s words, “Timothy became famous. Magazine-cover famous. Pop-culture famous." So Anna flees L.A. for Paris. Luckily—miraculously, really—Anna speaks French and has an aunt willing to lend her an apartment in Paris, rent-free.

Anna explores Paris for awhile and reconnects with her European friends but eventually needs something to do. She is also fired from her freelance job at an American PR firm after a change in management, and she needs money. Anna is browsing through the used books at Shakespeare & Company when she notices a job posting for a translator for an exotic novel at Editions Laveau. Anna hurries to Editions Laveau. Monsieur Laveau is a crotchety old man, and he is quietly amused that Anna misread the job posting: Laveau is looking for someone to translate an erotic novel, not an exotic one. Anna takes the job anyway. Later, while waiting for another chapter to translate at Laveau’s office, Anna meets Olivier. Olivier is a handsome Frenchman. He’s also an actor, just like Timothy. Anna starts a relationship with Olivier but cultural differences complicate their relationship.

I enjoyed this book. The plot moves quickly; Anna is in Paris by page seven. The novel Anna translates also acts as a story within a story. The novel, by an anonymous author, tells the story of one Frenchman’s “great love." Jean-Marc, the first-person narrator, is initially repelling. He keeps two girlfriends, one boring and public and one fiery and secret. The secret one, Eve, is his "great love." Their relationship begins as a sexual one and the love scenes are (uncomfortably) anatomically accurate and odd.

(A little warning, reader-to-reader: this novel is labeled adult fiction for a reason.)

Anna’s world is a little steamy, too: a friend takes her to a Parisian sex club and Anna and Olivier share several intimate scenes. Jean-Marc’s story becomes more readable, however, as he falls in love with Eve and becomes heartbroken when she leaves him, while Anna’s relationship with Olivier mirrors one of the cultural differences remarked on by Anna when she sees a couple kiss in a café. Anna explains that the French “kiss in public, and I mean big, wet, sexy kisses. People of all ages do it, and no one yells ‘Get a room!’ If you don’t like it, you can lump it, or look the other way."

I read Foreign Tongue before visiting France this January, and I noticed this profusion of PDA in Paris.
 
Beyond the plot and cultural dimensions of Foreign Tongue, the novel is largely about language. Marsot discusses the craft of storytelling through Anna from page one, beginning, “I could start like this, third-person omniscient: ‘She chucked it all and moved to Paris.’ . . . . Or no dodge-and-weave, no embroidery, no third-person, no all-knowing voice: I left.” Marsot also peppers her prose with French conversations, and she does not always provide a translation. One does not need much French to follow the story but knowing none would have frustrated me. I would have been on Google Translate at every other page.

 Foreign Tongue is steeped in French language, culture, and Parisian scenery. I recommend it to readers looking for a fun yet realistic romance as well as anyone who is interested in linguistics, writing, travel, and--of course--Paris.

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Tuesday, December 21, 2010

Book Review: Anna and the French Kiss by Stephanie Perkins

Release Date: December 2, 2010
Publisher: Dutton
Age Group: Young Adult
Pages: 384

Source: Bought.

Summary:
Anna was looking forward to her senior year in Atlanta, where she has a great job, a loyal best friend, and a crush on the verge of becoming more. So she's less than thrilled about being shipped off to boarding school in Paris—until she meets Étienne St. Clair. Smart, charming, beautiful, Étienne has it all . . . including a serious girlfriend.

But in the City of Light, wishes have a way of coming true. Will a year of romantic near-misses end with their long-awaited French kiss? Stephanie Perkins keeps the romantic tension crackling and the attraction high in a debut guaranteed to make toes tingle and hearts melt. (From stephanieperkins.com)
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Anna Oliphant is sent to Paris for her senior year of high school by her father, a Nicholas Sparks-ish author who writes "novels set in Small Town Georgia about folks with Good American Values who Fall in Love and then contract Life-Threatening Diseases and Die." Luckily, she makes friends quickly, and even luckier for both Anna and the reader, one of them--Étienne St. Clair--is a Very Hot Boy.*

I can't say enough about this book. A tangle of relationships--friendship, love-gone-wrong, misleading flirtation, friends crushing on friends--compose the plot, and author Stephanie Perkins adroitly juggles her characters' many different dreams, agendas, and feelings. And despite the boarding-school-in-Paris setting (which I loved), the interactions between the characters stem from realistic situations. A person doesn't have to be in Paris to break and repair friendships or fall in love with someone who's already taken.

Anna tells her roller coaster of a tale in funny, clever first-person narration. I would've read this book in one sitting if I'd had the time. The ending is unique, mature, and gorgeous. Anna and the French Kiss left me light and wide-eyed, stuck in warm knits in Paris with the scent of baguettes and a sense of boundless possibility. Anna is a dream of a book--so, so satisfying, yet realistic. And as much as I like him, Étienne St. Clair isn't perfect. He makes mistakes, and there's no idealism here. There are also some faintly stereotypical high school moments and some over-the-top emotions, but over all Anna and the French Kiss left me in post-good book depression because I couldn't find anything to immediately replace the experience of Anna. I wanted to keep wandering Paris with Anna, Étienne, and their friends. I recommend Anna and the French Kiss to anyone who likes contemporary fiction and/or romance, armchair travel, humor, and good writing. I've already started reading Anna a second time.
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*This diminutive text is accidental; Blogger is doing some odd things with font size and will not let me fix it.Blog Signature